web site
(please note - there is NO submission fee with the MITF code - if your work is selected there is a participation fee.)
The Midtown International Theatre Festival (MITF), now in its twelfth season, is proud to announce the third year of the Short Subjects Division. The Short Subjects is a repertory of plays running from 30 - 60 min. performed in their own intimate venue, with lower participation fees and ticket prices than other plays in the MITF. The Short Subjects is an excellent opportunity to test new theatrical ideas in a less-demanding environment than full-length plays in larger venues.
The following facts and rules set the Short Subjects apart from the rest of the MITF:
Every play gets 3 performance slots in the WorkShop Theater’s 30-seat Jewel Box theater. We attempt to honor requests for slots (“third week only, please!”) but our scheduling decisions are final. Performance dates are July 12 – 31, 6 – 10 pm weekdays and noon – 10 pm weekends.
All plays must be 30 - 60 min. long. Scripts must be in standard playscript format, in Word or PDF, E-mailed to us*.
The application fee is waived if you use the code MITF in your application.
The participation fee is only $75, payable on acceptance of the script by the MITF, by check or PayPal.**
There is a simple one-page agreement, sent on acceptance of the script and payment of the participation fee.
Deadline is June 6, 2011.
The production is responsible for producing the play, including finding actors, director, board op, props, costumes, rehearsals, etc; the MITF provides the theatre and some shared scenery (cubes, table, chairs).
You may not produce your show as an Equity showcase, and Equity is not issuing waivers for this program. All shows must be non-union.
Production values must be kept to a minimum: costumes and hand props only. We provide rehearsal cubes, chairs, and a table.
We provide box office services and venue management.
The MITF keeps 100% of the door.
Tickets are $15 for shows running 45 – 60 min., and $12 for shows running 30 – 45 min. Each playwright and director gets 1 comp to each of their performances. Comps are non-transferable. There are press comps but no industry comps. The production must purchase any additional seats they wish to comp. All Festival participants may see each others’ shows for free, on a standby basis.
Your show will be allotted a tech rehearsal running at least 2 hours, during the hours of 10 – 5:30 weekdays during the Festival (July 12 – 29).
We don't do staged readings; production must be off-book. Plays not off-book during tech rehearsal will be removed from the line-up.
While you may submit a program of related short plays totaling 30 - 60 min., the MITF will not “marry” two or more unrelated short plays into one program.
*Standard playscript format for us is 12 pt Times Roman; character names in the middle on their own line; line spaces between speeches and stage directions; indented stage directions. E-mail all scripts (no snail-mail please!) to john.chatterton@gmail.com.
**Please add 3% for PayPal handling fees. Make PayPal payments to john.chatterton@gmail.com. Send all paper checks to: 1 Penn Plaza # 6228, New York, NY 10119. Paper checks should be made out to MITF.
Blog Archive
-
►
2025
(476)
- ► December 2025 (47)
- ► November 2025 (40)
- ► October 2025 (37)
- ► September 2025 (42)
- ► August 2025 (36)
- ► April 2025 (34)
- ► March 2025 (39)
- ► February 2025 (48)
- ► January 2025 (45)
-
►
2024
(453)
- ► December 2024 (43)
- ► November 2024 (32)
- ► October 2024 (44)
- ► September 2024 (34)
- ► August 2024 (42)
- ► April 2024 (38)
- ► March 2024 (41)
- ► February 2024 (36)
- ► January 2024 (41)
-
►
2023
(457)
- ► December 2023 (32)
- ► November 2023 (32)
- ► October 2023 (40)
- ► September 2023 (37)
- ► August 2023 (38)
- ► April 2023 (39)
- ► March 2023 (40)
- ► February 2023 (39)
- ► January 2023 (49)
-
►
2022
(433)
- ► December 2022 (41)
- ► November 2022 (28)
- ► October 2022 (35)
- ► September 2022 (40)
- ► August 2022 (35)
- ► April 2022 (29)
- ► March 2022 (32)
- ► February 2022 (41)
- ► January 2022 (45)
-
►
2021
(415)
- ► December 2021 (29)
- ► November 2021 (34)
- ► October 2021 (33)
- ► September 2021 (32)
- ► August 2021 (40)
- ► April 2021 (30)
- ► March 2021 (44)
- ► February 2021 (36)
- ► January 2021 (36)
-
►
2020
(457)
- ► December 2020 (50)
- ► November 2020 (35)
- ► October 2020 (34)
- ► September 2020 (35)
- ► August 2020 (39)
- ► April 2020 (39)
- ► March 2020 (34)
- ► February 2020 (35)
- ► January 2020 (48)
-
►
2019
(500)
- ► December 2019 (54)
- ► November 2019 (48)
- ► October 2019 (47)
- ► September 2019 (35)
- ► August 2019 (36)
- ► April 2019 (33)
- ► March 2019 (32)
- ► February 2019 (43)
- ► January 2019 (44)
-
►
2018
(540)
- ► December 2018 (43)
- ► November 2018 (50)
- ► October 2018 (46)
- ► September 2018 (46)
- ► August 2018 (49)
- ► April 2018 (46)
- ► March 2018 (48)
- ► February 2018 (34)
- ► January 2018 (50)
-
►
2017
(659)
- ► December 2017 (40)
- ► November 2017 (46)
- ► October 2017 (53)
- ► September 2017 (47)
- ► August 2017 (44)
- ► April 2017 (56)
- ► March 2017 (50)
- ► February 2017 (39)
- ► January 2017 (100)
-
►
2016
(511)
- ► December 2016 (45)
- ► November 2016 (41)
- ► October 2016 (50)
- ► September 2016 (40)
- ► August 2016 (48)
- ► April 2016 (42)
- ► March 2016 (37)
- ► February 2016 (33)
- ► January 2016 (50)
-
►
2015
(515)
- ► December 2015 (37)
- ► November 2015 (38)
- ► October 2015 (51)
- ► September 2015 (45)
- ► August 2015 (40)
- ► April 2015 (46)
- ► March 2015 (45)
- ► February 2015 (50)
- ► January 2015 (46)
-
►
2014
(578)
- ► December 2014 (49)
- ► November 2014 (47)
- ► October 2014 (51)
- ► September 2014 (38)
- ► August 2014 (39)
- ► April 2014 (58)
- ► March 2014 (59)
- ► February 2014 (45)
- ► January 2014 (54)
-
►
2013
(511)
- ► December 2013 (35)
- ► November 2013 (52)
- ► October 2013 (63)
- ► September 2013 (61)
- ► August 2013 (31)
- ► April 2013 (35)
- ► March 2013 (47)
- ► February 2013 (47)
- ► January 2013 (39)
-
►
2012
(488)
- ► December 2012 (54)
- ► November 2012 (21)
- ► October 2012 (44)
- ► September 2012 (42)
- ► August 2012 (42)
- ► April 2012 (53)
- ► March 2012 (38)
- ► February 2012 (37)
- ► January 2012 (48)
-
▼
2011
(342)
- ► December 2011 (28)
- ► November 2011 (33)
- ► October 2011 (29)
- ► September 2011 (28)
- ► August 2011 (40)
-
▼
May 2011
(22)
- $10,000 PRIZE FOR BEST NEW PLAY ABOUT SCIENCE AND ...
- Madlab Theatre Roulette
- Studio Roanoke play submission guidelines
- Bare-Knuckle Theatre Festival Submissions
- Urban Stages Emerging Playwright Award
- The Fire Department script submission guidelines
- Clubbed Thumb submission guidelines
- May 2011 Play of the Month: THANK EMILY by Richard...
- The Flea Theater Play Submissions
- Shakespeare project
- Avant-Garde Arts Festival
- Midtown International Theatre Festival's Short Sub...
- ARCADIA - A Special Offer for visitors to this web...
- Battle of the Playwrights
- Sight/Site Specific Video Monologues: NYC
- Athena Theatre submission guidelines
- Play of the Month - June 2011
- May 2011 Play of the Month: THANK EMILY by Richard...
- National Ten-Minute Play Contest
- Panowski playwriting award
- The Chameleon Theatre Circle is seeking original w...
- April 2011 Play of the Month: TRANS-FORMATION by E...
- ► April 2011 (34)
- ► March 2011 (31)
- ► February 2011 (21)
- ► January 2011 (32)
-
►
2010
(16)
- ► December 2010 (16)