web site
What you need to know before you submit a script.
Please be sure to have your script formatted according to our script style sheet. (see web site)
In general, we're looking for scripts that can be used in worship services to focus the attention of worshipers on specific themes or life issues that the pastor can then address in the sermon or message that follows. Thus, the best scripts dramatize and heighten the issues without always resolving them; resolution is left to the sermon or is subtle enough that the sermon can tie it in. Our scripts are intended to be supplementary to the message of the day, and not be the main event themselves.
Writer's Guidelines:
Sketches should be from 4 to 7 minutes long and use 1 to 6 characters.
Include a statement of purpose, time requirements, list of characters, prop list and any unusual sound or light requirements.
Scripts should be sensitive to the unchurched. Avoid Christian-club jargon and insider church terminology.
Must have broad appeal to both evangelical and mainline audiences.
Most of our scripts are not obviously religious in nature. Rather they pose human situations that can be addressed from the pulpit following the sketch.
No elaborate staging or costumes.
Problems should be identified without sarcasm or overly critical tones (hope-based vs. critique-based). We do not want scripts that scold the audience or try to shame the viewers. Scripts that ridicule the hypocrisy of Christians are not for us.
Avoid didactic lines. Specifically, avoid making "less spiritual" characters mere foils who present questions and/or problems for "more spiritual" characters to resolve as "teachers."
Prefer everyday situations to extreme situations. Remember that there is enough drama, whether painful or humorous, in most people's daily lives. For example, the temptation to tell a lie is much more common than the temptation to kill someone. Build your scripts around situations most people encounter in the normal course of living.
Avoid predictable endings. Prefer instead a conclusion that is unexpected but still a reasonable extension of the theme of the sketch.
Please be sure to have your script formatted according to our script style sheet. (See web site)
Send Scripts to:
Regi Stone
Drama Ministry
P.O. Box 40387
Nashville, TN 37204
PLEASE PUT YOUR NAME AND ADDRESS ON YOUR SCRIPT.
Please note that your submission will not be returned.
Blog Archive
-
►
2025
(476)
- ► December 2025 (47)
- ► November 2025 (40)
- ► October 2025 (37)
- ► September 2025 (42)
- ► August 2025 (36)
- ► April 2025 (34)
- ► March 2025 (39)
- ► February 2025 (48)
- ► January 2025 (45)
-
►
2024
(453)
- ► December 2024 (43)
- ► November 2024 (32)
- ► October 2024 (44)
- ► September 2024 (34)
- ► August 2024 (42)
- ► April 2024 (38)
- ► March 2024 (41)
- ► February 2024 (36)
- ► January 2024 (41)
-
►
2023
(457)
- ► December 2023 (32)
- ► November 2023 (32)
- ► October 2023 (40)
- ► September 2023 (37)
- ► August 2023 (38)
- ► April 2023 (39)
- ► March 2023 (40)
- ► February 2023 (39)
- ► January 2023 (49)
-
►
2022
(433)
- ► December 2022 (41)
- ► November 2022 (28)
- ► October 2022 (35)
- ► September 2022 (40)
- ► August 2022 (35)
- ► April 2022 (29)
- ► March 2022 (32)
- ► February 2022 (41)
- ► January 2022 (45)
-
►
2021
(415)
- ► December 2021 (29)
- ► November 2021 (34)
- ► October 2021 (33)
- ► September 2021 (32)
- ► August 2021 (40)
- ► April 2021 (30)
- ► March 2021 (44)
- ► February 2021 (36)
- ► January 2021 (36)
-
►
2020
(457)
- ► December 2020 (50)
- ► November 2020 (35)
- ► October 2020 (34)
- ► September 2020 (35)
- ► August 2020 (39)
- ► April 2020 (39)
- ► March 2020 (34)
- ► February 2020 (35)
- ► January 2020 (48)
-
►
2019
(500)
- ► December 2019 (54)
- ► November 2019 (48)
- ► October 2019 (47)
- ► September 2019 (35)
- ► August 2019 (36)
- ► April 2019 (33)
- ► March 2019 (32)
- ► February 2019 (43)
- ► January 2019 (44)
-
►
2018
(540)
- ► December 2018 (43)
- ► November 2018 (50)
- ► October 2018 (46)
- ► September 2018 (46)
- ► August 2018 (49)
- ► April 2018 (46)
- ► March 2018 (48)
- ► February 2018 (34)
- ► January 2018 (50)
-
►
2017
(659)
- ► December 2017 (40)
- ► November 2017 (46)
- ► October 2017 (53)
- ► September 2017 (47)
- ► August 2017 (44)
- ► April 2017 (56)
- ► March 2017 (50)
- ► February 2017 (39)
- ► January 2017 (100)
-
►
2016
(511)
- ► December 2016 (45)
- ► November 2016 (41)
- ► October 2016 (50)
- ► September 2016 (40)
- ► August 2016 (48)
- ► April 2016 (42)
- ► March 2016 (37)
- ► February 2016 (33)
- ► January 2016 (50)
-
►
2015
(515)
- ► December 2015 (37)
- ► November 2015 (38)
- ► October 2015 (51)
- ► September 2015 (45)
- ► August 2015 (40)
- ► April 2015 (46)
- ► March 2015 (45)
- ► February 2015 (50)
- ► January 2015 (46)
-
►
2014
(578)
- ► December 2014 (49)
- ► November 2014 (47)
- ► October 2014 (51)
- ► September 2014 (38)
- ► August 2014 (39)
- ► April 2014 (58)
- ► March 2014 (59)
- ► February 2014 (45)
- ► January 2014 (54)
-
►
2013
(511)
- ► December 2013 (35)
- ► November 2013 (52)
- ► October 2013 (63)
- ► September 2013 (61)
- ► August 2013 (31)
- ► April 2013 (35)
- ► March 2013 (47)
- ► February 2013 (47)
- ► January 2013 (39)
-
►
2012
(488)
- ► December 2012 (54)
- ► November 2012 (21)
- ► October 2012 (44)
- ► September 2012 (42)
- ► August 2012 (42)
- ► April 2012 (53)
- ► March 2012 (38)
- ► February 2012 (37)
- ► January 2012 (48)
-
▼
2011
(342)
- ► December 2011 (28)
- ► November 2011 (33)
-
▼
October 2011
(29)
- SUBMIT A PLAY TO LARK'S OPEN ACCESS PROGRAM
- 10 Things I Hate About Anonymous
- October 2011 Play of the Month: KNUCKLEHEADS by Ja...
- Chatterton Short Play Lab for December
- StageQ Call for Plays - Queer Shorts 7
- Mondays Dark Theatre Company seeks plays
- 7 Reasons Why Theatre Makes Our Lives Better
- Impact Theatre submission info
- The Cutting Ball seeks experimental plays
- BBC Afternoon Play
- Drama Ministry Scripts Writer's Guidelines
- Single Carrot play submission guidelines
- The Renaissance Guild submission guidelines
- Dezart Performs 4th Annual Play Reading Series - N...
- Turtle Shell Productions - 8 minute madness
- The Compound seeks plays
- How to submit your play to the Astoria Performing ...
- Play of the Month - KNUCKLEHEADS by James McLindon
- Scripts Wanted for Nov. 19 - 20 Short Play Lab
- Strand Theatre Company submission guidelines
- THE JCC METROWEST JEWISH PLAYWRITING CONTEST Offic...
- Manhattan Repertory best play competition
- November Play of the Month
- Urban Theater Company call for new writers and scr...
- Royal Manitoba Theatre Centre script submission po...
- The Working Theatre Collective seeks 5-minute erot...
- Newburgh Free Academy Drama Department seeks 10-mi...
- Calling all female playwrights
- September 2011 Play of the Month: TOWER TATTS by A...
- ► September 2011 (28)
- ► August 2011 (40)
- ► April 2011 (34)
- ► March 2011 (31)
- ► February 2011 (21)
- ► January 2011 (32)
-
►
2010
(16)
- ► December 2010 (16)