web site
Wide Eyed Productions will be hosting our third installment of the WINKS Reading Series! This time around we will be focusing exclusively new theatrical works of adapted content! (Meaning it’s is a play that was inspired by other works.)
Wide Eyed Productions is excited to continue its work on new American plays like our recent world premiere production of Dead Special Crabs by Dan Kitrosser and the award winning Animals by Sam Byron. We had such a good response to the previous seasons of readings, we want the fun to continue.
The Double Take Reading Series
A Wide Eyed Look at Theatrical Adaptation
Join us on the second Tuesday of every month at The Drama League where we will feature a twenty-minute segment from three original works by three different writers, which are related to, or inspired by, that month’s theme. At the end of each night the audience will be invited to select their favorite of the evening anonymously. The majority favorite will be named a semifinalist and be invited to submit a full text* to Wide Eyed Productions’ Artistic Board for consideration for our final round.
Two (or three?) overall finalists will be chosen and given a full staged reading of their play at the end of the WINKS series, and one winning text will be chosen based on audience and board votes. This winning text will then be work shopped with intent to produce in an upcoming season.
What you need to know:
· The play does not need to be a World Premiere.
· The play does not need to be a fully completed text when it is initially submitted.
· Musicals will be considered as long as they are submitted with a music sample.
· Directors and casts will be provided by Wide Eyed, but we love it when you have suggestions for people you love to work with!
· Please submit selections of text, treatments, and other support material to submissions.wideeyed@gmail.com subject line, the appropriate theme for your play.
· The full text is not to exceed a 90-minute estimated run time. Semifinalists will be given a deadline for submissions of full texts.
· All submissions must be received by January 15, 2015.
· The Themes are as follows:
-MARCH: Anything But Disney: Adaptations from Fairy Tales from around the world.
-APRIL: Shake it Up: Adaptations from any of the bard's many works.
-MAY: In the News: Adaptations from past or current news stories from all forms of media.
-JUNE: It’s All Greek to Me: Adaptations from Greek texts and mythos.
-JULY: myTunes: Adaptations from pop songs, opera and other musical inspirations.
-AUGUST: Page Turners: Adaptations from works of literature.
OUR MISSION: Wide Eyed Productions exists to bring brave, bold and culturally relevant new texts to production. With a core ensemble of emerging theatre artists we are dedicated to leaving our audience wide eyed
Thursday, January 1, 2015
Blog Archive
-
►
2025
(476)
- ► December 2025 (47)
- ► November 2025 (40)
- ► October 2025 (37)
- ► September 2025 (42)
- ► August 2025 (36)
- ► April 2025 (34)
- ► March 2025 (39)
- ► February 2025 (48)
- ► January 2025 (45)
-
►
2024
(453)
- ► December 2024 (43)
- ► November 2024 (32)
- ► October 2024 (44)
- ► September 2024 (34)
- ► August 2024 (42)
- ► April 2024 (38)
- ► March 2024 (41)
- ► February 2024 (36)
- ► January 2024 (41)
-
►
2023
(457)
- ► December 2023 (32)
- ► November 2023 (32)
- ► October 2023 (40)
- ► September 2023 (37)
- ► August 2023 (38)
- ► April 2023 (39)
- ► March 2023 (40)
- ► February 2023 (39)
- ► January 2023 (49)
-
►
2022
(433)
- ► December 2022 (41)
- ► November 2022 (28)
- ► October 2022 (35)
- ► September 2022 (40)
- ► August 2022 (35)
- ► April 2022 (29)
- ► March 2022 (32)
- ► February 2022 (41)
- ► January 2022 (45)
-
►
2021
(415)
- ► December 2021 (29)
- ► November 2021 (34)
- ► October 2021 (33)
- ► September 2021 (32)
- ► August 2021 (40)
- ► April 2021 (30)
- ► March 2021 (44)
- ► February 2021 (36)
- ► January 2021 (36)
-
►
2020
(457)
- ► December 2020 (50)
- ► November 2020 (35)
- ► October 2020 (34)
- ► September 2020 (35)
- ► August 2020 (39)
- ► April 2020 (39)
- ► March 2020 (34)
- ► February 2020 (35)
- ► January 2020 (48)
-
►
2019
(500)
- ► December 2019 (54)
- ► November 2019 (48)
- ► October 2019 (47)
- ► September 2019 (35)
- ► August 2019 (36)
- ► April 2019 (33)
- ► March 2019 (32)
- ► February 2019 (43)
- ► January 2019 (44)
-
►
2018
(540)
- ► December 2018 (43)
- ► November 2018 (50)
- ► October 2018 (46)
- ► September 2018 (46)
- ► August 2018 (49)
- ► April 2018 (46)
- ► March 2018 (48)
- ► February 2018 (34)
- ► January 2018 (50)
-
►
2017
(659)
- ► December 2017 (40)
- ► November 2017 (46)
- ► October 2017 (53)
- ► September 2017 (47)
- ► August 2017 (44)
- ► April 2017 (56)
- ► March 2017 (50)
- ► February 2017 (39)
- ► January 2017 (100)
-
►
2016
(511)
- ► December 2016 (45)
- ► November 2016 (41)
- ► October 2016 (50)
- ► September 2016 (40)
- ► August 2016 (48)
- ► April 2016 (42)
- ► March 2016 (37)
- ► February 2016 (33)
- ► January 2016 (50)
-
▼
2015
(515)
- ► December 2015 (37)
- ► November 2015 (38)
- ► October 2015 (51)
- ► September 2015 (45)
- ► August 2015 (40)
- ► April 2015 (46)
- ► March 2015 (45)
- ► February 2015 (50)
-
▼
January 2015
(46)
- Fourth Wall Review is seeking play submissions
- Write the Next Great American Musical
- THE EMERGING PLAYWRIGHT PROJECT
- TAKE BACK THE ROM-COM SELECTIONS
- Wings to Fly 6th Annual Young Playwright’s Festival
- Watermelon One-Act Festival (Lexington Park Maryland)
- International Playwrights Group Residency at the R...
- Free theater in Portland Oregon
- Arundel Festival Theatre Trail
- MTC Residency
- SUBJECT: FREE Master Classes with JUDITH LIGHT, SA...
- 10 By 10 in the Triangle An international festival...
- Thespian Production is seeking one-act plays
- Geva Theatre Festival of New Theatre
- Centre Stage South Carolina seeks full-length plays
- Silverthorne Theater Company new play competition
- Heartland Theatre Company is seeking ten-minute plays
- Send your scripts to Route 66
- TAKE BACK THE ROM-COM - submissions closed
- Guinea Pig Lab Spring 2015 Competition seeks monol...
- Final Frontier Festival
- Take back the Rom-Com - NYCPlaywrights seeks 10-mi...
- Online playwriting courses in NYC…from anywhere!
- 2015 Native Play Festival Submission Guidelines
- Players Theatre Short Play & Musical Festival – SEX!
- Submissions are now open for the James Tait Black ...
- 2015 Premiere Stages Play Festival
- Free theater in NYC: ADAGIO & BEULLAH RISING
- CARYL CRANE YOUTH THEATRE PRESENTS THE RONALD M. R...
- Indie Boots Theatre Festival
- THE FIRST DRAFT at PRIMARY STAGES ESPA
- Dionysus Theatre call for submissions
- Long Island Theatre Collective (LITC) New Plays Fe...
- Boiling Point Theater seeks short plays
- Seeking ten-minute plays and monologues
- Female Playwrights Festival in February
- great weather for MEDIA seeks dramatic monologues
- HELENE WURLITZER FOUNDATION OF NEW MEXICO ARTIST R...
- Cultural DC Source 10-minute Play Festival 2015
- Village Playwrights seek 10-minute plays
- GRIT at the Royal Court
- The Purple Rose submission guidelines
- Less Than Rent submission guidelines
- Call for Plays - Women Playwrights Series
- Wide Eyed Productions call for scripts
- Strangeloop submission guidlelines
-
►
2014
(578)
- ► December 2014 (49)
- ► November 2014 (47)
- ► October 2014 (51)
- ► September 2014 (38)
- ► August 2014 (39)
- ► April 2014 (58)
- ► March 2014 (59)
- ► February 2014 (45)
- ► January 2014 (54)
-
►
2013
(511)
- ► December 2013 (35)
- ► November 2013 (52)
- ► October 2013 (63)
- ► September 2013 (61)
- ► August 2013 (31)
- ► April 2013 (35)
- ► March 2013 (47)
- ► February 2013 (47)
- ► January 2013 (39)
-
►
2012
(488)
- ► December 2012 (54)
- ► November 2012 (21)
- ► October 2012 (44)
- ► September 2012 (42)
- ► August 2012 (42)
- ► April 2012 (53)
- ► March 2012 (38)
- ► February 2012 (37)
- ► January 2012 (48)
-
►
2011
(342)
- ► December 2011 (28)
- ► November 2011 (33)
- ► October 2011 (29)
- ► September 2011 (28)
- ► August 2011 (40)
- ► April 2011 (34)
- ► March 2011 (31)
- ► February 2011 (21)
- ► January 2011 (32)
-
►
2010
(16)
- ► December 2010 (16)