Fall 2022 online classes at Primary Stages ESPA are now open for enrollment! Here are just some of the classes in our lineup of opportunities in the writing department:
The First Draft
Instructors:
Crystal Skillman (Writer, King Kirby, Open, Rain and Zoe Save the World)
Caridad Svich (Writer, OBIE Winner for Lifetime Achievement)
Michael Walkup (Artistic Director, Page 73)
This class will guide you through the development of your first draft, providing concrete deadlines, constructive feedback, and a collaborative environment to get your ideas on the page.
Rewriting Your Draft
Instructor: Stefanie Zadravec (Writer, The Electric Baby at Two River)
As soon as you finish your last line of dialogue, the need for rewrites begins. This class will help you tackle the revision process and develop a stronger version of your play.
Writing “Hot” Plays
Instructor: Adam Kraar (Writer, Alternating Currents at The Working Theatre, Dancing On The Edge at Theatre Novi Most)
"Hot scenes" are the building blocks of good plays: scenes where characters are pushed beyond their comfort zones and compelled to make revealing choices. This class will focus on dreaming up, drafting, and developing these exciting scenes.
TV Writing
Instructor: Daniel Talbott (Writer, "The Conners" and "The Mist"; Artistic Director, Rising Phoenix Rep)
Learn the structure and language of television writing to develop a first draft of your pilot.
Short Form Screenwriting
Instructor: Daniel Talbott (Writer, "The Conners" and "The Mist"; Artistic Director, Rising Phoenix Rep)
Apply the concepts of character development, visual storytelling, theme, plot, and dialogue to your own original short film script.
Workshop: Kinetic Energy
Instructor: Winter Miller (Writer, In Darfur at The Public Theater, No One Is Forgotten at Rattlestick)
This workshop will toss you headlong into your play, set into motion by Winter.
Workshop: Eclipse Yourself!
Instructor: Winter Miller (Writer, In Darfur at The Public Theater, No One Is Forgotten at Rattlestick)
Let's find out what's obscuring your play from you by asking your characters to tell you their stories. In this writing intensive workshop, you'll write monologues and scenes to reveal what's been hidden.
Classes begin in October. Start and end dates vary. Click here for the full list of writing classes.
Our award-winning faculty, comprised of working professionals in the field, provides practical skills and expert guidance in a collaborative community atmosphere.
Primary Stages ESPA provides students easy and convenient payment plans to break up tuition. For more information, call 212.840.9705 x215 or email espa@primarystages.org.
Blog Archive
-
►
2025
(476)
- ► December 2025 (47)
- ► November 2025 (40)
- ► October 2025 (37)
- ► September 2025 (42)
- ► August 2025 (36)
- ► April 2025 (34)
- ► March 2025 (39)
- ► February 2025 (48)
- ► January 2025 (45)
-
►
2024
(453)
- ► December 2024 (43)
- ► November 2024 (32)
- ► October 2024 (44)
- ► September 2024 (34)
- ► August 2024 (42)
- ► April 2024 (38)
- ► March 2024 (41)
- ► February 2024 (36)
- ► January 2024 (41)
-
►
2023
(457)
- ► December 2023 (32)
- ► November 2023 (32)
- ► October 2023 (40)
- ► September 2023 (37)
- ► August 2023 (38)
- ► April 2023 (39)
- ► March 2023 (40)
- ► February 2023 (39)
- ► January 2023 (49)
-
▼
2022
(433)
- ► December 2022 (41)
- ► November 2022 (28)
- ► October 2022 (35)
-
▼
September 2022
(40)
- The Richard Rodgers Awards 2023
- Philly Cycle Commissions
- The Robert J. Pickering / J.R. Colbeck Award for P...
- The Weekly Workshop - every Thursday since 2007
- THE TENS FESTIVAL 2023
- Flint Repertory Theatre 2023 New Works Festival
- The Phoenix Theatre Company’s 25th Annual Festival...
- The Playwrights Realm Script Share
- The Bunbury Players Evening of One-Acts
- Call for Experimental Theatre Playwrights: CUT / EDGE
- Kumu Kahua’s September prompt
- The Lanford Wilson New American Play Festival 2023
- SAUK SHORTS 2023
- Shakespeare on the Sound's 3rd Annual Short New Pl...
- The 24th Annual Festival of One-Act Plays (2023)
- New Voices Showcase seeks one-act plays
- Stonecoast Review seeks work for issue #18
- The Moxie Incubator
- Anything Can Happen in Ten Minutes Play Festival ...
- Athena Project’s Read & Rant: A Plays In Progress ...
- TEDxAsburyPark ’s 1act.1idea is accepting submissi...
- Fall Writing Classes Online at Primary Stages ESPA!
- NY THEATER FESTIVAL SPRING/SUMMERFEST 2023 - THEAT...
- Bite Sized Spectacular seeks 10-minute plays
- New Perspectives Theatre Company Women's Work Proj...
- Bloomsbury Festival New Wave Theatre Writing and P...
- The Dramatic Question Theatre is seeking submissio...
- THE PLAYWRIGHT’S LAB CALL FOR SUBMISSIONS
- The Playwrights Group ~ we’re adding a Tuesday Nig...
- Two Bimbos seeks Femme/female-centered plays
- The Whiskey Radio Hour seeks 10-minute plays
- The Millibo Art Theatre seeks 10-minute plays on t...
- Femuscripts seeks plays from writers living in sou...
- 15th Annual PLAYground Submissions for Young Audie...
- Application for Hodder Fellowship 2023-2024
- CALL FOR SUBMISSIONS FOR SPECIAL ANTHOLOGY OF ONE ...
- Cape Cod Theater Project 2023
- Radcliffe Fellowship 2022
- Clutch Productions is now accepting submissions of...
- NY THEATER FESTIVAL SPRING/SUMMERFEST 2023 - THEAT...
- ► August 2022 (35)
- ► April 2022 (29)
- ► March 2022 (32)
- ► February 2022 (41)
- ► January 2022 (45)
-
►
2021
(415)
- ► December 2021 (29)
- ► November 2021 (34)
- ► October 2021 (33)
- ► September 2021 (32)
- ► August 2021 (40)
- ► April 2021 (30)
- ► March 2021 (44)
- ► February 2021 (36)
- ► January 2021 (36)
-
►
2020
(457)
- ► December 2020 (50)
- ► November 2020 (35)
- ► October 2020 (34)
- ► September 2020 (35)
- ► August 2020 (39)
- ► April 2020 (39)
- ► March 2020 (34)
- ► February 2020 (35)
- ► January 2020 (48)
-
►
2019
(500)
- ► December 2019 (54)
- ► November 2019 (48)
- ► October 2019 (47)
- ► September 2019 (35)
- ► August 2019 (36)
- ► April 2019 (33)
- ► March 2019 (32)
- ► February 2019 (43)
- ► January 2019 (44)
-
►
2018
(540)
- ► December 2018 (43)
- ► November 2018 (50)
- ► October 2018 (46)
- ► September 2018 (46)
- ► August 2018 (49)
- ► April 2018 (46)
- ► March 2018 (48)
- ► February 2018 (34)
- ► January 2018 (50)
-
►
2017
(659)
- ► December 2017 (40)
- ► November 2017 (46)
- ► October 2017 (53)
- ► September 2017 (47)
- ► August 2017 (44)
- ► April 2017 (56)
- ► March 2017 (50)
- ► February 2017 (39)
- ► January 2017 (100)
-
►
2016
(511)
- ► December 2016 (45)
- ► November 2016 (41)
- ► October 2016 (50)
- ► September 2016 (40)
- ► August 2016 (48)
- ► April 2016 (42)
- ► March 2016 (37)
- ► February 2016 (33)
- ► January 2016 (50)
-
►
2015
(515)
- ► December 2015 (37)
- ► November 2015 (38)
- ► October 2015 (51)
- ► September 2015 (45)
- ► August 2015 (40)
- ► April 2015 (46)
- ► March 2015 (45)
- ► February 2015 (50)
- ► January 2015 (46)
-
►
2014
(578)
- ► December 2014 (49)
- ► November 2014 (47)
- ► October 2014 (51)
- ► September 2014 (38)
- ► August 2014 (39)
- ► April 2014 (58)
- ► March 2014 (59)
- ► February 2014 (45)
- ► January 2014 (54)
-
►
2013
(511)
- ► December 2013 (35)
- ► November 2013 (52)
- ► October 2013 (63)
- ► September 2013 (61)
- ► August 2013 (31)
- ► April 2013 (35)
- ► March 2013 (47)
- ► February 2013 (47)
- ► January 2013 (39)
-
►
2012
(488)
- ► December 2012 (54)
- ► November 2012 (21)
- ► October 2012 (44)
- ► September 2012 (42)
- ► August 2012 (42)
- ► April 2012 (53)
- ► March 2012 (38)
- ► February 2012 (37)
- ► January 2012 (48)
-
►
2011
(342)
- ► December 2011 (28)
- ► November 2011 (33)
- ► October 2011 (29)
- ► September 2011 (28)
- ► August 2011 (40)
- ► April 2011 (34)
- ► March 2011 (31)
- ► February 2011 (21)
- ► January 2011 (32)
-
►
2010
(16)
- ► December 2010 (16)