Website
Deadline: November 30, 2025
SUBMISSION FORM
Only one submission per playwright/librettists will be accepted. The winner of the Award is announced in Spring 2026.
Amas Musical Theatre will not ask for any fees for entry or for any fiduciary involvement
from the playwright/librettists at any point of the process.
Submission Requirements:
The musical must:
• Be a full-length show (at least 80 minutes)
• Have no more than eight actors (actors may play multiple roles, if so, please include a suggested breakdown of role distribution)
• Be complete and ready for readings, workshops and/or productions
• Have a demo that is an accurate representation of the music and style of the show (at least five songs)
• Have full underlying rights clearance of any pre-existing material used in the script (music, source material, etc.)
• Not have had a full production or be published in any way, even if with a different name.
What to submit
All documents must be submitted as PDF files and they should be named with the part of the submission it refers to and the title of the show in the format of PART_TITLE, i.e.: for Tea for Three; BIO_TEA-FOR-THREE, SYNOPSIS_TEA-FOR-THREE, etc.
1. Biography and resumes of the creative team like writer, composer, lyricist (if applicable)
2. History of the submission’s development, and any previous titles it has gone through (if applicable, maximum one page)
3. Brief synopsis (maximum 150 words)
4. Brief artistic statement on the piece itself, including all source material, inspiration, goal, message, etc. (maximum one page)
5. Proof of rights (if applicable)
6. Demo and track listings (Demo selections to be posted as a Dropbox or Google Drive link)
7. PDF document of the full-script and sheet music, if available (no writers named)
Guidelines for Materials
All submissions must adhere to the following or your application will be disqualified before reaching our selection committee.
PROOF OF RIGHTS
If the musical contains any copyrighted material, please submit a signed letter from the authors and/or underlying rights representative stating that underlying rights have been secured.
FULL SCRIPT
The full script must include:
1. Title page (which should only have the title on it and absolutely no other information)
2. Character breakdown (maximum one page)
3. The complete script with page numbers
For the anonymity of your submission, the full script and sheet music cannot include any information on playwright/ librettist or contractually attached people, previous casts, or any agents. All submissions will go through a blind evaluation process, any personal information you provide will only be available to Amas Musical Theatre staff.
Demo Tracks
• The recording should be a significant representation of the songs in the show that accurately highlights the style and character of the score and lyrics.
• Demo tracks should:
1. Include at least one song from the first 25 pages
2. Have at least five recordings available – they do not need to be professional or studio quality, but they must be clear enough to hear lyrics, melody, and accompaniment
3. Have singers of appropriate vocal types for their respective roles
4. Be full songs only, no medleys of spliced songs
For the anonymity of your submission, tracks cannot include any personal identifiers for playwright/librettist(s), the performers recorded, or contractually attached people.
The Selection Process
Scripts will be read and evaluated through a blind submission process by Amas Musical Theatre’s literary team. A group of finalist plays will be read and evaluated by a selection committee, comprised of distinguished artists and playwrights, using a blind evaluation process. Committee members will not be given any additional information beyond the title of the show, the script, and the demo tracks.
Any personal information you provide in the application is seen by the Amas Musical Theatre staff only, not the selection committee.
Our process is based on the quality of the work submitted.
Round 1 (September-December)
1. Our literary team reads the first 25 pages of the book and listens to the demo for any track related to these pages.
2. The team fills out evaluations for each show, which determine the submissions that continue to Round 2.
3. If selected as a finalist, the show’s application primary contact is notified via email.
Round 2 (January-March)
1. The selection committee reads the scripts in full and listens to all demo tracks submitted.
2. Committee members write their evaluations to determine which one is best suited for the Award.
3. The winner is announced in the Spring of 2025.
4. The application’s primary contact is notified and a development schedule is created with the winner.
We will not be able to provide feedback regarding why a particular piece was or was not selected.
The Winner
• Will receive $2,000 to help pay for cost-of-living expenses.
• Will receive development assistance in the 2025 New Works Development Program of Amas Musical Theatre.
• Will have the selected show rehearsed and performed by New York theatre professionals in an Amas Lab production.
• Must be present in New York City for the development process.
• Must give the right of first refusal for a world premiere of the selected show that will expire 90 days after Amas Musical Theatre presents the Lab production.
Blog Archive
-
▼
2025
(476)
- ► December 2025 (47)
-
▼
November 2025
(40)
- 2026 Carlo Annoni International Playwriting Prize ...
- Gitelman & Good Publishers Playwrights Contest
- NAMT's Festival of New Musicals 2026
- Grosse Pointe Theatre 13th Annual Ten Minute Play ...
- Go Try PlayWrite November 2025
- Theatre Now Soundbites festival seeks 10-minute mu...
- Mini Plays Magazine seeks short plays and monologues
- Theatre Southwest is accepting short play submissions
- The Road Theatre Company seeks samples of full-len...
- The Ground Floor's 2026 Summer Residency Lab Appli...
- BREAK A LEG PRODUCTIONS seeks 20-40 minute plays f...
- Locally Grown Theatre is now accepting play submis...
- Gather by Ghostlight seeks 10-minute plays
- CHAIN THEATER Winter One-Act Festival 2026
- 2026-2027 Excellence Artist Fund Residency - Inno...
- Irish American Heritage Museum (IAHM) one-act play...
- Press Box Theater seeks submissions for New Playwr...
- Eight Annual Eric Weinberger Award for Emerging Li...
- TIGER’S HEART PLAYERS PREMIER SIX LINES CONTEST
- Terrence McNally New Works Incubator Application -...
- Call for Full‑Length Plays — Lobsters Internationa...
- ShortPlayNYC seeks short plays on the LUV theme
- Walnut Outreach Playwriting Competition
- The Lake Macquarie One Act Play Festival 2026
- Theater-by-the-Grove seeks full-length plays
- THINK FAST A virtual short play competition
- Green Lung Studio seeks work for Spring 2026 season
- Free tickets: ISAAC'S EYE by Lucas Hnath
- ELevated Productions NYC seeks full-length product...
- Barter Theater: Black Stories Black Voices
- Glass Ceiling Breakers: 2026 A Festival of Short P...
- Rover Dramawerks 10-Minute Comedies Contest
- Clockhouse open for submissions for the Summer 202...
- Discount tickets: BAMMY AN' BUXOM
- Discount tickets: TODAY IS A GOOD DAY, NEW YORK NE...
- PICK OF THE VINE – Season 24 - seeking short plays
- THE ALEXANDER NDERITU PRIZE FOR WORLD LITERATURE (...
- NYLon Fusion seeks 10-minute plays
- The Artistic Home Call for Submissions: Cut to the...
- TYPE! Open for short plays
- ► October 2025 (37)
- ► September 2025 (42)
- ► August 2025 (36)
- ► April 2025 (34)
- ► March 2025 (39)
- ► February 2025 (48)
- ► January 2025 (45)
-
►
2024
(453)
- ► December 2024 (43)
- ► November 2024 (32)
- ► October 2024 (44)
- ► September 2024 (34)
- ► August 2024 (42)
- ► April 2024 (38)
- ► March 2024 (41)
- ► February 2024 (36)
- ► January 2024 (41)
-
►
2023
(457)
- ► December 2023 (32)
- ► November 2023 (32)
- ► October 2023 (40)
- ► September 2023 (37)
- ► August 2023 (38)
- ► April 2023 (39)
- ► March 2023 (40)
- ► February 2023 (39)
- ► January 2023 (49)
-
►
2022
(433)
- ► December 2022 (41)
- ► November 2022 (28)
- ► October 2022 (35)
- ► September 2022 (40)
- ► August 2022 (35)
- ► April 2022 (29)
- ► March 2022 (32)
- ► February 2022 (41)
- ► January 2022 (45)
-
►
2021
(415)
- ► December 2021 (29)
- ► November 2021 (34)
- ► October 2021 (33)
- ► September 2021 (32)
- ► August 2021 (40)
- ► April 2021 (30)
- ► March 2021 (44)
- ► February 2021 (36)
- ► January 2021 (36)
-
►
2020
(457)
- ► December 2020 (50)
- ► November 2020 (35)
- ► October 2020 (34)
- ► September 2020 (35)
- ► August 2020 (39)
- ► April 2020 (39)
- ► March 2020 (34)
- ► February 2020 (35)
- ► January 2020 (48)
-
►
2019
(500)
- ► December 2019 (54)
- ► November 2019 (48)
- ► October 2019 (47)
- ► September 2019 (35)
- ► August 2019 (36)
- ► April 2019 (33)
- ► March 2019 (32)
- ► February 2019 (43)
- ► January 2019 (44)
-
►
2018
(540)
- ► December 2018 (43)
- ► November 2018 (50)
- ► October 2018 (46)
- ► September 2018 (46)
- ► August 2018 (49)
- ► April 2018 (46)
- ► March 2018 (48)
- ► February 2018 (34)
- ► January 2018 (50)
-
►
2017
(659)
- ► December 2017 (40)
- ► November 2017 (46)
- ► October 2017 (53)
- ► September 2017 (47)
- ► August 2017 (44)
- ► April 2017 (56)
- ► March 2017 (50)
- ► February 2017 (39)
- ► January 2017 (100)
-
►
2016
(511)
- ► December 2016 (45)
- ► November 2016 (41)
- ► October 2016 (50)
- ► September 2016 (40)
- ► August 2016 (48)
- ► April 2016 (42)
- ► March 2016 (37)
- ► February 2016 (33)
- ► January 2016 (50)
-
►
2015
(515)
- ► December 2015 (37)
- ► November 2015 (38)
- ► October 2015 (51)
- ► September 2015 (45)
- ► August 2015 (40)
- ► April 2015 (46)
- ► March 2015 (45)
- ► February 2015 (50)
- ► January 2015 (46)
-
►
2014
(578)
- ► December 2014 (49)
- ► November 2014 (47)
- ► October 2014 (51)
- ► September 2014 (38)
- ► August 2014 (39)
- ► April 2014 (58)
- ► March 2014 (59)
- ► February 2014 (45)
- ► January 2014 (54)
-
►
2013
(511)
- ► December 2013 (35)
- ► November 2013 (52)
- ► October 2013 (63)
- ► September 2013 (61)
- ► August 2013 (31)
- ► April 2013 (35)
- ► March 2013 (47)
- ► February 2013 (47)
- ► January 2013 (39)
-
►
2012
(488)
- ► December 2012 (54)
- ► November 2012 (21)
- ► October 2012 (44)
- ► September 2012 (42)
- ► August 2012 (42)
- ► April 2012 (53)
- ► March 2012 (38)
- ► February 2012 (37)
- ► January 2012 (48)
-
►
2011
(342)
- ► December 2011 (28)
- ► November 2011 (33)
- ► October 2011 (29)
- ► September 2011 (28)
- ► August 2011 (40)
- ► April 2011 (34)
- ► March 2011 (31)
- ► February 2011 (21)
- ► January 2011 (32)
-
►
2010
(16)
- ► December 2010 (16)